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1-2(7-8)/2019A New Landscape with a Rainbow
Change – now! Conference proceedings

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CALL FOR PAPERS EN | PL
Rafał Pierzyński and Joseph Funnel in Alex Baczyński-Jenkins's performance Nim zakwitnie tysiąc róż (z Warszawą w tle) [Until a Thousand Roses Bloom (with Warsaw in the Background)], 2018, Foksal Gallery Foundation in Warsaw, photo: Karolina Zajączkowska. Courtesy: artist & Foksal Gallery Foundation
contents

INTRODUCTION

<i>Nim zakwitnie tysiąc róż (z Warszawą w tle)</i> [<i>Until a Thousand Roses Bloom (with Warsaw in the Background)</i>], Alex Baczyński-Jenkins's performance, Warsaw, 2018, photo: K. Zajączkowska. Courtesy: artist & Foksal Gallery Foundation
Agata Adamiecka-Sitek
A New Landscape with a Rainbow: Queerness and Hope
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THE NEW QUEERNESS

<i>Języki przyszłości</i> [<i>Future Tongues</i>], Ania Nowak, 2018, Nowy Theatre, Warsaw, photo: Maurycy Jan Stankiewicz
Anka Herbut
A Few Queer Choreographies and a Horizon Imbued with Potentiality
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<i>Malina</i>, dir. Marta Malikowska and Anka Herbut, premiere: 4 November 2018, The Zbigniew Raszewski Theatre Institute, photo: Karolina Gorzelańczyk.
Agata Adamiecka-Sitek, Marta Malikowska
Nakedly and Tenderly. Agata Adamiecka-Sitek in conversation with Marta Malikowska
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<i>O mężnym Pietrku i sierotce Marysi. Bajka dla dorosłych</i> [<i>Valiant Pete and Little Orphan Mary: A Fairy Tale for Grownups</i>], Jolanta Janiczak, dir. Wiktor Rubin, premiere: 27 October 2018, Polski Theatre in Poznań, photo: Magda Hueckel
Zuzanna Berendt
A Bit of a Queer Production: What Happens and What Cannot Happen When a Queer Biography Meets Publicly Funded Theatre
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<i>Dead Girls Wanted</i>, Jolanta Janiczak, Grzegorz Stępniak, dir. Wiktor Rubin, premiere: 22 February 2019, The Zagłębie Theater, Sosnowiec, photo: Monika Stolarska
Grzegorz Stępniak
The Power of Queer Failure
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QUEER GENEALOGIES

Konrad Swinarski, Anna Polony and Wojciech Pszoniak during rehearsals for the <i>Wszystko dobre, co się dobrze kończy</i> [<i>All’s Well That Ends Well</i>] 1971, Stary Theatre in Kraków, photo: Wojciech Plewiński
Grzegorz Niziołek
Homosexuals in Konrad Swinarski’s Productions: A Language Problem?
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<i>Przebudzenie wiosny</i> [<i>Spring Awakening</i>], Frank Wedekind, dir. Paweł Miśkiewicz, premiere: 5 February 1999, Stary Theatre, Kraków, photo: Wojciech Plewiński
Katarzyna Waligóra
Growing Sideways and Subverting Theatrical Hierarchies: Paweł Miśkiewicz’s Spring Awakening
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KRYSTIAN LUPA: YOUTHFUL DOUBTS, MATURE (UN)CERTAINTIES

Krystian Lupa and Piotr Skiba during rehearsals for the <i>Proces</i> [<i>The Trial</i>], Warsaw, 2018, photo: Magda Hueckel
Stanisław Godlewski
Devotional Articles and a Unicorn: Queer Aspects in the Work and Bibliography of Krystian Lupa
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Krystian Lupa (left) and Zbysław Maciejewski (right) near Jastrzębie-Zdrój, 1965. Photographer unknown. Source: Krystian Lupa’s private collection
Waldemar Wasztyl
‘We didn’t know who we really were’: Krystian Lupa and Zbysław Maciejewski
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<i>Factory 2</i>, Krystian Lupa, dir. Krystian Lupa, premiere: 16 February 2008, Stary Theatre, Kraków, photo: Krzysztof Bieliński
Monika Kwaśniewska
Between Freedom and Manipulation: The Situation of Actors in Factory 2
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Krystian Lupa during rehearsals for the <i>Proces</i> [<i>The Trial</i>], 2017, photo: Magda Hueckel
Krystian Lupa
Comment
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Krystian Lupa during rehearsals for the <i>Proces</i> [<i>The Trial</i>], 2017, Warsaw, photo: Magda Hueckel
Piotr Gruszczyński
Bleak Futurism
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INTRODUCTION

Drawings by Kasia Gotlib created during the 'Change-now' conference, Teatr Ochoty, Warsaw, 7 October 2019, photo: Karolina Jóźwiak
Agata Adamiecka-Sitek
Change - Now? Calling for Unavoidable
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From the left: Agata Adamiecka-Sitek, Alina Czyżewska and Adam Bodnar during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 7 October 2019, photo: Marta Ankiersztejn
Alina Czyżewska
‘There Is No Democracy in Theatre.’ Seriously?
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KRAKOW

From the left: Iwona Kempa, Iga Gańczarczyk and Michał Telega during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 8 October 2019, photo: Marta Ankiersztejn
Michał Telega
The Actresses, or Sorry for Touching You
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In the first row from the left: Iwona Kempa, Iga Gańczarczyk and Michał Telega during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 8 October 2019, photo: Marta Ankiersztejn
Iga Gańczarczyk
Testimonies and Declarations
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From the left: Iwona Kempa and Iga Gańczarczyk during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 8 October 2019, photo: Marta Ankiersztejn
Iwona Kempa
What to Do with What Is Now? At School and in the Theatre
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WARSAW

From the left: Marta Miłoszewska, Beata Szczucińska, Agata Adamiecka-Sitek, Weronika Szczawińska, Małgorzata Wdowik and Agata Koszulińska during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 7 October 2019, photo: Karolina Jóźwiak
Agata Adamiecka-Sitek, Agata Koszulińska, Marta Miłoszewska, Weronika Szczawińska, Beata Szczucińska, Małgorzata Wdowik
Allies: How We Broke the Silence and Made Documents
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ŁÓDŹ

Jagoda Szelc during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 8 October 2019, photo: Marta Ankiersztejn
Jagoda Szelc
What We Say to People: The Psychodynamics of Working on a Film Set
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GLASGOW

From the left: Vanessa Coffey, Hilary Jones, Mccallister Selva and Thomas Zachar during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 7 October 2019, photo: Marta Ankiersztejn
Vanessa Coffey, Hilary Jones, Mccallister Selva, Thomas Zachar
Shifting the Landscape: Why Changing Actor Training Matters in Light of the #MeToo Movement
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PARIS

Elliot Marès during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 7 October 2019, photo: Marta Ankiersztejn
Grégory Gabriel, Elliot Marès
Changing the Face of French Scene: Rethinking Assumptions for a Theatre That Mirrors Society
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MAASTRICHT

From the left: Henk Havens and Bert Luppes during the 'Change - now!' conference, Teatr Ochoty, Warsaw, 8 October 2019, photo: Marta Ankiersztejn
Henk Havens, Bert Luppes, Lieke van der Vegt, Emma Buysse
Dutch Practice-Based Theatre Experiences
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