Home > Archives > 1-2(3-4)/2017

INTRODUCTION

Agata Adamiecka-Sitek, Marta Keil Theatre and Democracy. Institutional Practices in Polish Theatre

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THE CURSE: WHO DOES PUBLIC THEATRE BELONG TO?

Paweł Łysak, Paweł Sztarbowski, Agata Adamiecka-Sitek, Marta Keil Polish Theatre after Klątwa: Paweł Łysak and Paweł Sztarbowski, directors of the Powszechny Theatre in Warsaw, in Conversation with Agata Adamiecka-Sitek and Marta Keil

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Oliver Frljić, Agata Adamiecka-Sitek, Marta Keil Whose National Theatre Is It? Oliver Frljić in Conversation with Marta Keil and Agata Adamiecka-Sitek

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Agata Adamiecka-Sitek How to Lift the Curse? Director Oliver Frljić and the Poles

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Paweł Mościcki The Village Is on Fire! The Village Is Burning Down! Notes on the Oliver Frljić Production of Klątwa in Warsaw

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THE SYSTEM: WHAT WE’VE GOT, WHAT WE NEED, WHAT WE CANNOT LOSE

Marta Keil What Is the Purpose of Institutional Critique Today?

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Paweł Płoski Theatre Organization System in Poland

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Dorota Buchwald Institution: the Defence of Necessity

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Weronika Szczawińska Theoretical Democracies, Practical Institutions

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Romuald Krężel The Emancipated Artist

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Marta Keil, Joanna Leśnierowska, Ramona Nagabczyńska, Maria Stokłosa, Mateusz Szymanówka When Is Poland’s Sasha Waltz Going to Appear?: Joanna Leśnierowska, Ramona Nagabczyńska, Maria Stokłosa and Mateusz Szymanówka in Conversation with Marta Keil

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Zofia Smolarska Institutional Gastroscopy: Publicly Funded Theatre in Poland, Diagnosed by Its Craftspeople

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OTHER INSTITUTIONS

Jan-Tage Kühling On the Common Good: The Institution of the Chorus and Images of a Nation in Marta Górnicka’s Theatre

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Kamila Paprocka-Jasińska Can Centrala Save Us?

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Arkadiusz Gruszczyński (ed.), Alina Gałązka, Grzegorz Laszuk, Tomasz Plata How Komuna Otwock became Komuna// Warszawa: A Conversation with Alina Gałązka, Grzegorz Laszuk and Tomasz Plata

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Zofia Dworakowska The ‘Open Activity Academy’, or: On Akademia Ruchu Centres

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SUBJECTIVITY – RESISTANCE - DEMOCRACY

Igor Stokfiszewski Beyond Participation

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Monika Kwaśniewska The Actor in the Deadlock of Contemporary Folwark Relations

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Zofia Smolarska, Justyna Sobczyk, Justyna Lipko-Konieczna Dismantling Our Own Language: Justyna Lipko-Konieczna and Justyna Sobczyk in Conversation with Zofia Smolarska

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Ewa Majewska Censorship as the Formative Mechanism of Neoliberal Culture?: The Productive Function of Prohibition

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Igor Stokfiszewski The Workers’ Movement in the Campaign for Democratizing Culture and for Political Democracy

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THE INSTITUTION OF A FESTIVAL

Marta Keil The Institutional Practices of a Festival

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Ewa Guderian-Czaplińska Demolishing Partition Walls: ‘Auto-theatre’ at the 2016 Theatre Confrontations Festival in Lublin

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BATTLES FOR INSTITUTIONS – WARS FOR CULTURE

Andrea Tompa And the Winner Is… Appointing Artistic Directors in Hungary

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Henrike Kohpeiss Who Wants a Theatre Company and Doesn’t Have One?

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THE PEOPLE’S THEATRE

Maciej Nowak We, The New Public Theatre

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Ewa Bal On the ‘People’s Theatre’: a Glance Back

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Piotr Olkusz The Pope’s New Clothes: Jean Vilar’s Lay Religion and Popular Theatre

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