
Beyond Participation
Abstract
The text begins with an observation that in the area of theatre and performing arts there can be witnessed a retreat from participatory practices, a weariness of participation, and even a negation of participatory attitudes. The author attempts to defend the ‘participation paradigm’ and argues that the deepening of participatory practices can only take place through a transformation of the ‘production apparatus’ of culture, that is, through stepping beyond participation towards collective governance of cultural organizations by artists and communities. By analysing the case of the Italian Teatro Valle Occupato and the French Les Têtes de l’Art the author shows how collective governance of cultural organizations contributes to a deepening of participatory art practices. The author argues with or draws support from such figures as Claire Bishop, Markus Miessen, Chantal Mouffe, Antonio Negri, Walter Benjamin and Ugo Mattei.